Her solitary Pepsi Center concert again came near the end of the tour, but Swift delivered a rousing, sold-out performance that saw her exploring the crowd as fans surrounded her (with security, of course) while playing a wide range of fan-favorites and hits (see setlists at bit.ly/3PSwtJi).Īt the time, Swift was already the top-selling artist in digital music history, The Denver Post reported, and “Speak Now” was one of the few records of the era that boasted platinum status (more than a million copies sold) in its first week of sales.įun/depressing fact: Tickets to the Speak Now concert in Denver only cost $25 to $69.50. 27, 2011 - a little over a year after the Fearless run, and one of only six stadium shows initially set for her Speak Now Tour (named after her 2011 album). Despite being at the end of a dozens of international dates, Swift sold more than 50,000 tickets to her April 6 and 7 run at the Pepsi Center (now Ball Arena), according to published reports. It wasn’t until 2010 that Swift took over the Mile High City in a big way to promote her album “Fearless” (2009), behind which promoters had plotted her first large-scale tour. In 2006, she released her self-titled album on Big Machine Records - a label with which she would eventually tangle over ownership of her recording masters.Īround that time she played a few shows in Denver - opening for George Strait at the Pepsi Center on March 3, 2007, as well as headlining The Grizzly Rose on Oct. Swift is a child performer-turned-country-pop sensation who debuted nationally in 2004 when she was only 14 years old. The singer-songwriter has since racked up a dozen Grammys and 46 nominations. The Fearless Tour (2010) Taylor Swift performs at the 43rd annual Country Music Awards in Nashville, Tenn. With that in mind, here’s a primer on Swift’s intense, and not-always-positive, relationship with Colorado before her Friday, July 14, and Saturday, July 15, concerts at Empower Field at Mile High.įor more Taylor Swift news and features, including surprise song predictions, a guide to related parties, parking rules, and our review and photos, visit /tag/taylor-swift. Not that any of it is her fault see November’s Ticketmaster debacle as just the latest example. But even as the singer cuts through media clutter and speaks directly to her audience, she also occasionally gets tangled in her own promotional machinery. Taylor Swift is known for giving everything she has during her sold-out concerts, and her fans send that love right back. That's what we say, pointedly.Friday, July 28th 2023 Home Page Close Menu If nothing else, they're fun and they'll help keep your mind sharp. Tom Swifties seem to have fallen into disuse in recent years – they're overdue for a revival. "I just dropped the toothpaste," said Tom crestfallenly.
"I just ran over my father," Tom said transparently. "I lost my trousers," said Tom expansively. "Let's trap that sick bird," Tom said illegally. "Don't you love sleeping outdoors," Tom said intently. Sometimes they require a little more thought to get: "I can't find the oranges," said Tom fruitlessly. "Welcome to my tomb," said Tom cryptically. "Let's gather up the rope," said Tom coyly.
(Although the books were all credited to "Victor Appleton," he was imaginary – the books were actually written by several different authors.) In the series, which had titles that included Tom Swift in the City of Gold, Tom Swift and His Wizard Camera, and Tom Swift and His Great Searchlight, the authors supposedly revealed a weakness for adverbs, attaching an excess of them to dialogue in order to add color and variety to the narration.
#Taymoo and swifty series#
The form takes its name from the main character in a series of adventure books published by Edward Stratemeyer beginning in 1910. Merriam-Webster was fortunate to acquire the rights to these books and published excerpts from them in a collection entitled The Best of an Almanac of Words at Play in 1999.ĭroll humor is a feature of much of the material Espy collected, as is apparent in the Almanac entry for Tom Swifties. The term was coined by Willard Espy (1911–99), one of the masters of word play, who compiled two wonderful collections of poems, essays, quizzes, and other writings about language: An Almanac of Words at Play (1975) and Another Almanac of Words at Play (1980).
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